Augustin Hadelich & Dvořák 7

Augustin Hadelich & Dvořák 7

Door time: 6:00 PM

Show time: 6:30 PM

 

Augustin Hadelich, one of the greatest violinists of all time, returns to perform Tchaikovsky’s unparalleled Violin Concerto. The deeply patriotic Dvořák wished to use his music to recognize the struggle and oppression of his fellow Czechs; he wrote of this urgent Seventh Symphony, “What is in my mind is Love, God, and my Fatherland.” Kevin Puts’ Two Mountain Scenes, composed “with the impressive backdrop of the Rocky Mountains in mind” and beginning with “the sonic illusion of a single trumpet reverberating across the valley,” opens this wondrous program.  

 

Artists: 

Peter Oundjian, conductor 

Augustin Hadelich, violin 

 

Program: 

Kevin Puts, Two Mountain Scenes (2007) 

Pyotr Ilyich Tchaikovsky, Violin Concerto in D Major, Op. 35 

Antonin Dvořák, Symphony No. 7 in D Minor, Op. 70 

Augustin Hadelich & Dvořák 7

Augustin Hadelich & Dvořák 7

Door time: 7:00 PM

Show time: 7:30 PM

 

Augustin Hadelich, one of the greatest violinists of all time, returns to perform Tchaikovsky’s unparalleled Violin Concerto. The deeply patriotic Dvořák wished to use his music to recognize the struggle and oppression of his fellow Czechs; he wrote of this urgent Seventh Symphony, “What is in my mind is Love, God, and my Fatherland.” Kevin Puts’ Two Mountain Scenes, composed “with the impressive backdrop of the Rocky Mountains in mind” and beginning with “the sonic illusion of a single trumpet reverberating across the valley,” opens this wondrous program.  

 

Artists: 

Peter Oundjian, conductor 

Augustin Hadelich, violin 

 

Program: 

Kevin Puts, Two Mountain Scenes (2007) 

Pyotr Ilyich Tchaikovsky, Violin Concerto in D Major, Op. 35 

Antonin Dvořák, Symphony No. 7 in D Minor, Op. 70 

Danish String Quartet

Danish String Quartet

Door time: 7:00 PM

Show time: 7:30 PM

 

“Yes, playing string quartets is our job, and yes it is hard work, but we mostly do it for pleasure, like we always did,” says the Danish String Quartet, a highly sought-after ensemble of energetic musicians who met each other at music camp as teenagers. The Quartet returns to the Robert Mann Chamber Music Series with a varied program including work by Haydn, Stravinsky, and Mozart, as well as Shostakovich’s profound String Quartet No. 3 and three Irish folk melodies by Celtic harper and composer Turlough O’Carolan.
 

Artists: 

Danish String Quartet 

 

Program: 

Joseph Haydn, String Quartet, Op. 77, No. 2: III, Andante 

Igor Stravinsky, Three Pieces for String Quartet 

Turlough O’Carolan, Three Melodies 

Wolfgang Amadeus Mozart, Divertimento in F Major, K. 138  

Dmitri Shostakovich, String Quartet No. 3 in F Major, Op. 73 

Mozart: Duo Pianos, Haffner & A Little Night Music

Mozart: Duo Pianos, Haffner & A Little Night Music

Door time: 6:00 PM

Show time: 6:30 PM

 

The Washington Post declares that twin sister pianists Christina and Michelle Naughton “have to be heard to be believed”; the Festival is honored to welcome these audience favorites for an all-Mozart program. Following the charming serenade Eine kleine Nachtmusik (“A Little Night Music”), the Naughtons perform the Concerto for Two Pianos and Orchestra, written for Mozart to play with his beloved sister Nannerl. After intermission is Mozart’s Haffner Symphony, a staggering work of intensity and invention. 

 

Artists: 

Gemma New, conductor 

Christina and Michelle Naughton, piano duo 

 

Program: 

Wolfgang Amadeus Mozart, Eine kleine Nachtmusik 

Wolfgang Amadeus Mozart, Concerto in E-flat Major for Two Pianos, K. 365 

Wolfgang Amadeus Mozart, Symphony No. 35, Haffner

Awadagin Pratt + Rimsky-Korsakov’s Scheherazade

Awadagin Pratt + Rimsky-Korsakov’s Scheherazade

Door time: 6:00 PM

Show time: 6:30 PM

 

Celebrated pianist Awadagin Pratt makes his Festival debut with music old and new, beginning with Bach’s nimble Keyboard Concerto in A major. Pratt then performs a piece he commissioned from lauded composer Jessie Montgomery; her Rounds is inspired by an epic poem by T.S. Eliot and the opposing forces that appear in nature — “action and reaction, dark and light, stagnant and swift.” In Eastern folklore, the princess Scheherazade told the cruel Sultan 1,001 stories in order to save her own life; Rimsky-Korsakov borrows Scheherazade’s tales of royalty, festivals, sea voyages, and more in his richly orchestrated fantasy.  

 

Artists: 

Peter Oundjian, conductor 

Awadagin Pratt, piano 

 

Program: 

Johann Sebastian Bach, Keyboard Concerto in A Major BWV 1055  

Jessie Montgomery, Rounds for piano and string orchestra (2022) 

Nicolai Rimsky-Korsakov, Scheherazade  

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