Steve Earle is one of the most acclaimed singer-songwriters of his generation. A protege of legendary songwriters Townes Van Zandt and Guy Clark, he quickly became a master storyteller in his own right, with his songs being recorded by Johnny Cash, Waylon Jennings, Joan Baez, Emmylou Harris, The Pretenders, and countless others. 1986 saw the release of his record, Guitar Town, which shot to number one on the country charts and is now regarded as a classic of the Americana genre. Subsequent releases like The Revolution Starts…Now (2004), Washington Square Serenade (2007), and TOWNES (2009) received consecutive GRAMMY® Awards. Restlessly creative across artistic disciplines, Earle has published both a novel and collection of short stories; produced albums for other artists such as Joan Baez and Lucinda Williams and acted in films, television (including David Simon’s acclaimed The Wire), and on the stage. He currently hosts a radio show for Sirius XM. In 2009, Earle appeared in the off-Broadway play Samara, for which he also wrote a score that The New York Times described as “exquisitely subliminal.” Earle wrote music for and appeared in Coal Country, a riveting public theater play that dives into the most-deadly mining disaster in U.S. history, for which he was nominated for a Drama Desk Award. His 2020 album Ghosts of West Virginia was named as one of “The 50 Best Albums of 2020 So Far” by Rolling Stone. Mr. Earle was recently (Nov 2020) inducted into the Nashville Songwriters Hall of Fame, and released his 21st studio album J.T. on January 6th (2021) as a tribute to his late son Justin Townes Earle.
GUEST FAMILY FUNFOR CHILDREN OF ALL AGES Explore Chautauqua during your family vacation. We’ve collected a list of the best activities to do with children of all ages! Kid-Friendly HikingADVENTURE AWAITS! Chautauqua is a hiker’s paradise with 40 miles of trails...
The Wailin’ Jennys are Nicky Mehta, Ruth Moody and Heather Masse three distinct voices that together make an achingly perfect vocal sound. Starting as a happy accident of solo singer/songwriters getting together for a one-time-only performance at a tiny guitar shop in Winnipeg, Manitoba, The Wailin’ Jennys have grown over the years into one of today’s most beloved international folk acts. Founding members Moody and Mehta along with New York-based Masse continue to create some of the most exciting music on the folk-roots scene, stepping up their musical game with each critically-lauded recording and thrilling audiences with their renowned live performances.
In 2004, The Wailin’ Jennys released their first full-length album 40 Days to great critical acclaim, netting a 2005 Juno Award (Canadian Grammy) for Roots & Traditional Album of the Year. Bolstered by their frequent appearances on Garrison Keillor’s public radio show A Prairie Home Companion, The Jennys exploded onto the roots music scene, performing at packed venues across Canada, the U.S. and throughout the world. The Jennys’ sophomore album, 2006’s Firecracker, served as a powerful follow-up to their career-making debut. Artistically, the record found The Jennys stepping out of the folk realm and into the world of alt-country, pop and rock. Garnering much attention, it was nominated for a Juno Award and won a 2007 Folk Alliance Award for Contemporary Release of the Year. Firecracker had legs, spending over 56 weeks on the Billboard charts. The trio’s 2009 release, Live at Mauch Chunk Opera House, also spent over a year on the Billboard bluegrass charts. That landmark live album bottled the lightning of The Jennys’ live performances with show-stopping harmonies, impressive instrumental prowess, breathtaking songs and, of course, witty stage banter. For 2011’s Juno-winning Bright Morning Stars, The Wailin’ Jennys joined the ranks of Lucinda Williams and Emmylou Harris and recorded with award-winning producer Mark Howard. Co-produced by frequent Jennys collaborator and Juno Award-nominated David Travers-Smith, the album combined fresh and innovative sounds with the band’s signature harmonies — a perfect mix of Americana, pop and traditional folk that has become a modern classic. Bright Morning Stars took home the Juno for Roots and Traditional album of the year in 2012.
In 2017, The Jennys turned 15 years old. To mark the occasion, the band took time away from the demands of motherhood to record and release a celebratory album for their fans: Fifteen. A carefully curated collection of some of their favourite songs, the new record was recorded true to their live show sound with their long-time beloved side players, Richard Moody and Adam Dobres. Steeped in the artistry and elegance that has defined their career, the album presents the Jennys at their very best, highlighting their heartfelt vocals, otherworldly harmonies, and sophisticated arrangements. Fifteen was nominated for a Juno award in 2018 for Traditional Roots album of the year.
The Jennys will continue to tour their latest release through 2022, while also road-testing new songs for an upcoming studio album.
A career spanning twenty five years has brought this Canadian guitarist multiple accolades including a coveted Acoustic Guitar Magazine ‘Player’s Choice Silver Award’, eleven Juno Award nominations (he won for 2001’s ‘Free Fall’), a Gemini Award and, most impressively, ten platinum and gold studio albums.
Moreover, he has sold out concert halls the world over, produced five PBS television specials and five live CD’s. Not a bad legacy for a guy who never planned to release an album.
“If you had asked me at age 22, I would have said that I would never, never make music for the public,” Jesse Cook says with a laugh. “I would have told you that the public is much too fickle — they may love you one minute and forget you the next. Well, it turns out I did the thing I said I’d never do, and somehow it’s worked out.”
That’s an understatement. Since launching his career with 1995’s Tempest, Cook has blazed an incredible trail. Along with being a global-guitar virtuoso, he’s honed his skills as a composer, producer, arranger, performer and, more recently, filmmaker and cultural ambassador. Surprisingly, he started down many of those paths before he even started school.
As a child he was introduced to flamenco while spending summers at his father’s house in the Camargue region of southern France. John Cook’s neighbour happened to be Nico Reyes, guitarist for The Gypsy Kings. Meanwhile his mother, Heather Cook, with whom he lived, enrolled him in Toronto’s prestigious Eli Kassner Guitar Academy.
Cook’s musical education continued at the world renowned Royal Conservatory, Toronto’s York University and the esteemed Berklee College in Boston. He set his sights on a career as a composer. That was until an Ontario cable TV company aired his music on the listings channel.
“Their switchboard got flooded with calls,” he recalls. “People even got my number somehow and started phoning me at home and asking for a CD. And I was saying, ‘I don’t have a CD, I’m a background composer guy. I don’t make records.’ “
This proved to be a critical turning point leading Cook to self-produce Tempest at home using an eight-track recorder and one microphone. Then he delivered the initial run of 1,000 CDs from the plant to the distributor in his car. Those humble beginnings quickly sparked a mighty international career.
Canadian television appearances followed and so too did important gigs in the US. If he must point to one it was the 1995 Catalina Jazz Festival where his playing earned a 10-minute standing ovation, sparked mob scenes — “It was like being The Beatles,” he marvels — and prompted one store to order enough copies of Tempest to land it at No.14 in Billboard.
In Poland, his 2004 live album Montreal took the country by storm. In India, he gained fame after one of his songs was plagiarized for a major Bollywood movie. (“In India, that’s allowed,” he explains. “They call it cultural appropriation — it obviously doesn’t mean the same thing there.”) In Iraq, his instrumentals score the nightly news. Elsewhere, they’ve accompanied gymnastics and skating routines at the Olympics.
“In Torino, the Japanese skater and the Russian skater both competed using the same song (Mario Takes A Walk). One of them won. I think I should have got bronze,” he says laughing.
It’s no wonder Cook also jokes that his music “has had a way more interesting life” than he’s had. But lately, that international appeal — reflected in a compositional style that mixes flamenco with everything from classical and jazz to Zydeco, blues and Brazilian samba — has become something he takes more seriously.
“If music can come from around the world and interconnect so beautifully to create this beautiful tapestry, maybe there’s something that music can teach us.”
Over the course of his first twenty -five years making award winning music for a global audience Cook could be forgiven should he contemplate retiring or, as he puts it, ‘hanging out at my cottage dipping my toes in the water.” But the fact is he loves creating music. And, there’s also the matter of some unfinished business interrupted by the pandemic.
“Tempest 25’ the reissue of his debut album (released 25 years prior) had been amongst those pre-Covid plans. So too had been another world tour in support of its release. Cook, like most of us, found himself house bound due to travel restrictions.
“The first year with no touring since my career began. I needed a mountain to climb” Cook quips.
So, Cook got to work producing 23 (and counting) extraordinary solo YouTube videos of his favourite songs in which he played all the instruments, recorded, and filmed himself. The collection is called “Love in the Time of Covid” Not only have they pleased his existing fan base but this YouTube video collection has expanded his worldwide audience who are now craving that soon to be announced world tour.
Jesse Cook, clearly, has many more years of memorable performances ahead of him.
“Funky, cool and bad,” is how Robert Cray describes his latest album, That’s What I Heard, out February 28. “I thought if it we could get this thing that Sam Cooke used to have, the kind of sound that early Sam Cooke records had, that we could pull this off,” says producer Steve Jordan.
Over the past four decades, Cray has created a sound that rises from American roots, blues, soul and R&B, with five Grammy wins, 20 acclaimed studio albums and a bundle of live albums that punctuate the Blues Hall of Famer’s career. On That’s What I Heard, Robert celebrates the music of Curtis Mayfield, Bobby “Blue” Bland, The Sensational Nightingales and more, alongside four newly written songs. Listen to the first single “Anything You Want” here (by Robert Cray), available now on all streaming services.
Cray and Jordan go way back, having met during the making of the Chuck Berry documentary Hail! Hail! Rock ’n’ Roll, in 1987. They started working together in 1999, when Jordan produced the Grammy-winning Take Your Shoes Off, and the recent Grammy-nominated LP, Robert Cray & Hi Rhythm. That’s What I Heard is their sixth album. “Once you start working with Steve, it’s kind of hard to get away from him,” said Robert.
The music on That’s What I Heard falls into two camps, the sweet and the funky. Of the former, “You’re the One” comes from the Bobby “Blue” Bland songbook. “There’s this thing where I feel you kind of gotta get out of your own head when you’re covering one of your heroes,” Cray explained. “Bobby’s one of those. You just let yourself go, and do the song because you love it.”
Don Gardner’s “My Baby Likes to Boogaloo” and the Billy Sha-Rae minor hit, “Do It” are acknowledged rarities (the originals can be heard on the compilation, Groove & Grind: Rare Soul). “Do It” is leaner and meaner, the sort of bare-bones funk that defined the Detroit club sound in the early ’70s with Sha-Rae, Dennis Coffey, and Earl Van Dyke. Cray’s steamroller rendition gets a little extra push from guest guitarist Ray Parker, Jr., who played in Sha-Rae’s band as a teen.
“Burying Ground” is a sacred song from the Sensational Nightingales, inspired by Cray’s youth, when Sundays on the stereo were reserved for his parents’ gospel records. Curtis Mayfield wrote “You’ll Want Me Back” for Major Lance, and Cray wrote “To Be with You” for his late friend, Tony Joe White. “Hot” is another Cray original. “As for the lyrics, “We always say to ourselves, ‘I’m old, but I’m hot,’” he said, and laughed. Spotted hanging around the studio, Steve Perry sang harmony vocals on “Promises You Can’t Keep,” written by Steve Jordan, Kim Wilson and Danny Kortchmar.
“Robert is just a great person besides being extraordinary talent,” adds Jordan. “People gravitate to his guitar playing first, but I think he’s one of the best singers I’ve heard in my life. Not only because of his singing ability, but his interpretations. He’s such an honest soul in my opinion.”
Robert’s band features Richard Cousins (bass), Dover Weinberg (keyboards), Terence F. Clark (drums), and Steve Jordan (drums, percussion).
